Modern world clashes with ancient law in Albania in the dark 'The Forgiveness of Blood'
By BETSY SHARKEY (Los Angeles Times)
LOS ANGELES -- "The Forgiveness of Blood," a dark saga about the clash of modern times and ancient traditions in rural Albania, is more a story of whispers when cries are what's called for with lives, livelihoods and family honor on the line.
The eye-for-an-eye price of settling such disputes, and the hope of a new generation to escape the sins of their fathers, drives cowriter-director Joshua Marston's fitful new film.
Though Marston is once again rooting around in the harsh realities of cultural mores, particularly for the young, the movie lacks the emotional jolt of his splendid "Maria Full of Grace" in 2004. For the pregnant Columbian teen in "Maria," it was both the escape promised and the toll exacted of being a drug mule. For Nik (Tristan Halilaj), the young Albanian in the middle of "Forgiveness," it is the repercussions of his father's fight, one that leaves the teenager a virtual prisoner in his own home.The film opens with the contrasting realities of Nik's life. He's a typical teenager, finishing up high school, obsessing over his looks, flirting with a classmate. He's also the oldest son, helping his father, Mark (Refet Abazi), hitch an ox to the wagon, which is both the family's main source of income and its only transportation. His father's days are spent delivering fresh-baked bread around the village, while Nik spends his texting friends, retooling computers and dreaming of opening an Internet cafe.
Though Marston is once again rooting around in the harsh realities of cultural mores, particularly for the young, the movie lacks the emotional jolt of his splendid "Maria Full of Grace" in 2004. For the pregnant Columbian teen in "Maria," it was both the escape promised and the toll exacted of being a drug mule. For Nik (Tristan Halilaj), the young Albanian in the middle of "Forgiveness," it is the repercussions of his father's fight, one that leaves the teenager a virtual prisoner in his own home.The film opens with the contrasting realities of Nik's life. He's a typical teenager, finishing up high school, obsessing over his looks, flirting with a classmate. He's also the oldest son, helping his father, Mark (Refet Abazi), hitch an ox to the wagon, which is both the family's main source of income and its only transportation. His father's days are spent delivering fresh-baked bread around the village, while Nik spends his texting friends, retooling computers and dreaming of opening an Internet cafe.